The Love of Lampworking
- Workspace Studios Christchurch

- Oct 22, 2021
- 1 min read
Updated: Sep 1, 2022
Lampwork is the art of making glass beads previously known as core forming back when it started 3,500 years in Egypt and Mesopotamia. Glass beads where the original currency and were used for trading for many years.
The first beads were made holding a piece of glass held over a flame to melt the glass on to a piece of wire, although we have developed many complex techniques and equipment as time has gone by, the basics still resemble the original tools.
In lampworking we use soft glass which is made up of sand quartz, soda ash and limestone which comes in rod form, hard glass can be used however it's reserved for very decorative art style glass forms as it requires a much hotter flame. What's the difference between the hard and soft glass I hear you ask, hard glass has 5% Boric oxide mixed in with the ingredients of soft glass.

There are different types of beads, our in house lampwork tutor Emily enjoys making hollow beads mostly with dots and stripes, skull beads and loves working with bright vibrant colours. We especially like looking at her fish and snowman beads in our display cabinet.
Emily trained at Lillstreet Art Center in Chicago. When she moved here 12 years ago she bought all her equipment and creative talents with her, which include silversmithing, choreography and textiles. She has since built on that including such things as woodwork, metal work and being part of the design and creation of her tiny house.
Emily is really looking forward to teaching the upcoming Pandora style bead class at our Christchurch Studio in November and December.












































The evolution from beads as currency to intricate forms of artistry exemplifies how human perception of value shifts over time. In lampworking, the materials and techniques stand as a testament to this transformation, where practicality meets aesthetic expression. It's interesting to ponder how the meaning of https://luckydreams.org.nz/ Lucky Dreams can resonate differently in contexts of trade versus artistic creation, reflecting broader societal changes.
It’s fascinating how materials once tied to exchange and survival now sit in the realm of craft and expression. In contexts like Big Lucky Casino value often feels abstract, yet here it was tangible and portable. It makes you think about how meaning shifts when function gives way to artistry over time.
Please send Emily to Palmy!!